Guides
Overused words, seen clearly.
Ten essays on the repeats that pull a reader out of a novel — prose echoes, filter words, intensifiers, and the pass that fixes one problem at a time. Then run the census on your own manuscript. Stewart Ferris’s writing handbooks go further into the trade.
- 01Why Your Novel's Prose Echoes Are Ruining Your Reader's ExperienceA prose echo is a word repeated so often it pulls the reader out of the story. How novelists spot authorial tics, and how Word Census makes them visible.
- 02Filter Words Are Killing Your Immersion (And How to Fix Them)Saw, heard, felt, noticed, watched: filter words tell the reader about an experience instead of letting them have it. How to find them and cut them.
- 03The "Very" Problem: Why Intensifiers Weaken Your WritingVery, really, just, actually, and quite add words without adding meaning. How to replace intensifiers with stronger verbs and cleaner sentences.
- 04"Suddenly" Isn't Sudden (And Other Time Marker Problems)If everything happens suddenly, nothing does. Why then and suddenly flatten pace, and how to cut time markers without losing the sequence.
- 05The "That" Epidemic: How a Tiny Word Clutters Your ProseMost thats can go. A practical test for the filler conjunction, plus which and who, so sentences stay clear without the clutter.
- 06Body Language Tics: When Your Characters Nod, Shrug, and Sigh Too MuchNodding, shrugging, and sighing stop meaning anything when they appear on every page. How to vary gestures so characters stop feeling mechanical.
- 07Flow State Blindness: Why You Can't See Your Own Overused WordsDrafting hides your own repeats. Why self-editing misses authorial tics, and how a word census shows the manuscript you actually wrote.
- 08Show, Don't Tell: The Ultimate Fix for Overused Filter WordsShow, don't tell is the practical fix for felt, saw, and thought. Sensory detail and action that put the reader in the scene.
- 09Strengthen Your Verbs, Cut Your AdverbsWalked slowly is a weak verb with a bandage. How to swap adverb-verb pairs for precise verbs, and when an adverb still earns its place.
- 10The Perspective Pass: How to Edit for One Problem at a TimeStop trying to fix a draft all at once. A perspective pass hunts one problem—that, just, filter words, suddenly—until the prose is actually tighter.